Visual Piety A History and Theory of Popular Religious Images [Paperback]

This fascinating study of devotional images traces their historical links to important strains of American culture. David Morgan demonstrates how popular visual imagesfrom Warner Sallman's Head of Christ to velvet renditions of DaVinci's Last Supper to illustrations on prayer cardshave assumed central roles in contemporary American lives and communities.

Morgan's history of popular religious images ranges from the late Middle Ages to the present day and analyzes what he calls visual piety, or the belief that images convey. Rather than isolating popular icons from their social contexts or regarding them as merely illustrative of theological ideas, Morgan situates both Protestant and Catholic art within the domain of devotional practice, ritual, personal narrative, and the sacred space of the home. In addition, he examines how popular icons have been rooted in social concerns ranging from control of human passions to notions of gender, creedal orthodoxy, and friendship. Also discussed is the coupling of images with texts in the attempt to control meanings and to establish markers for one's community and belief. Drawing from the fields of music, sociology, theology, philosophy, psychology, and aesthetics,Visual Pietyis the first book to bring to specialist and lay reader alike an understanding of religious imagery's place in the social formation and maintenance of everyday American life.

David Morganis Associate Professor of Art History at Valparaiso University and the editor ofIcons of American Protestantism: The Art of Warner Sallman(1996).

This superb collection of essays challenges the growing tension about religion and the arts by dissecting the intriguing ways religion and the arts have inte frsected in a long, vivid, necessary, and largely positive relationship from the early nineteenth century to the end of the twentieth century. The essays here are unusually strong, sophisticated, mature, and inlã¾