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White Apology And Apologia Australian Novels Of Reconciliation [Hardcover]

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  • Category: Books (Literary Criticism)
  • Author:  Liliana Zavaglia
  • Author:  Liliana Zavaglia
  • ISBN-10:  1604979356
  • ISBN-10:  1604979356
  • ISBN-13:  9781604979350
  • ISBN-13:  9781604979350
  • Publisher:  Cambria Press
  • Publisher:  Cambria Press
  • Pages:  250
  • Pages:  250
  • Binding:  Hardcover
  • Binding:  Hardcover
  • Pub Date:  01-Apr-2016
  • Pub Date:  01-Apr-2016
  • SKU:  1604979356-11-MPOD
  • SKU:  1604979356-11-MPOD
  • Item ID: 100309350
  • Seller: ShopSpell
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  • Delivery by: Jan 23 to Jan 25
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This book takes as its subject a body of recent fiction by white liberal writers produced in the wake of the profound cultural, political and legal transformations that have taken place in the field of Indigenous rights since the 1990s. The novels explored in this study are Alex Miller's Journey to the Stone Country (2002) and Landscape of Farewell (2007), Andrew McGahan's The White Earth (2004), Kate Grenville's The Secret River (2005) and Gail Jones' Sorry (2007). Each of these novels was written in the period between 2002 and 2007. These were the years when the Indigenous rights and reconciliation movements had all but disappeared from the national political agenda through the interventions of the Howard Liberal Government. These works attempted to counter these silences as acts of literary activism, which strived to reignite the politically stalled processes of reconciliation. Through the medium of fiction, they kept Indigenous justice issues before the reading public, provoking discussion and stirring debate.

Through an exploration of these important documents and texts of reconciliation, this study is able to offer symptomatic close readings of Australian liberal whiteness in the process of coming to terms with its troubling history. Providing new insights into how legal, historical, political, and literary discourses can influence each other in the quest for justice, this book attempts to understand the relation between Australian literature and the culture that produced it. In the process it reveals the riven state of Australian postcolonial whiteness itself, which has been transformed by the legal, political and cultural shifts of the 1990s, yet which paradoxically resists its own deconstructions even as it longs for the dismantling of its own hegemony. The double movement of apology and apologia explored in this timely and important study is a startling reminder of the unresolved nature of the traumatised colonial legacy bequeathed to Australian settl£#

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