Jennifer Panek examines the early modern character of the lusty widow in her cultural context.The courtship and remarriage of a rich widow was a popular motif in early modern comic theatre. Jennifer Panek brings together a variety of texts, from ballads and jest-books to sermons and court records, to examine the staple widow of comedy in her cultural context. She persuasively challenges the current critical tendency to see the stereotype of the lusty widow as a tactic to dissuade women from second marriages, arguing instead that it was deployed to enable her suitors to regain their masculinity, under threat from the dominant, wealthier widow.The courtship and remarriage of a rich widow was a popular motif in early modern comic theatre. Jennifer Panek brings together a variety of texts, from ballads and jest-books to sermons and court records, to examine the staple widow of comedy in her cultural context. She persuasively challenges the current critical tendency to see the stereotype of the lusty widow as a tactic to dissuade women from second marriages, arguing instead that it was deployed to enable her suitors to regain their masculinity, under threat from the dominant, wealthier widow.The courtship and remarriage of a rich widow was a popular motif in early modern comic theatre. Jennifer Panek brings together a variety of texts, from ballads and jest-books to sermons and court records, to examine this staple of comic theatre in its cultural context. She persuasively challenges the stereotype of the lusty widow as a tactic to dissuade women from second marriages, arguing instead that it was deployed to enable her suitors to regain their masculinity, under threat from the dominant, wealthier widow.Acknowledgements; A note on texts; Introduction; 1. The widow's choice: female remarriage in early modern England; 2. The widow's threat: domestic government and male anxiety; 3. The suitor's fantasy: courtship and compensation; 4. The husband's fear: the lusty widow as wil“Y