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The Works Of Arthur Laurents Politics, Love, And Betrayal [Hardcover]

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  • Category: Books (Drama)
  • Author:  John M. Clum
  • Author:  John M. Clum
  • ISBN-10:  1604978848
  • ISBN-10:  1604978848
  • ISBN-13:  9781604978841
  • ISBN-13:  9781604978841
  • Publisher:  Cambria Press
  • Publisher:  Cambria Press
  • Pages:  214
  • Pages:  214
  • Binding:  Hardcover
  • Binding:  Hardcover
  • Pub Date:  01-Apr-2014
  • Pub Date:  01-Apr-2014
  • SKU:  1604978848-11-MPOD
  • SKU:  1604978848-11-MPOD
  • Item ID: 100924303
  • Seller: ShopSpell
  • Ships in: 2 business days
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  • Delivery by: Apr 07 to Apr 09
  • Notes: Brand New Book. Order Now.
Arthur Laurents's career as a playwright, screenwriter, book writer for musicals and director spanned over half a century. His first Broadway play, Home of the Brave, was produced in 1945; his last play, Come Back, Come Back, Wherever You Are, was produced in 2009 when he was ninety-one. Although he is best known for his work on the classic musicals Gypsy and West Side Story and for his screenplays for Rope, The Way We Were, and The Turning Point, Laurents is the author of seventeen full-length plays, numerous screenplays and three volumes of memoirs. Despite the length and distinction of Laurents's career, until now no one has written a full-length critical study of his work. Laurentss' name was associated with a few hit musicals and films, but his best work, the plays he wrote since 1975, are not as well known. One reason is that the economics of the American theatre have changed during the writer's lifetime and Laurents's serious plays were performed Off-Broadway or at regional theatres. Few were published, except in acting editions, until a volume of Selected Plays was assembled in 2005. Moreover, Laurents's highly controversial volumes of memoirs, filled with attacks on people who he felt betrayed him over the years, overshadowed his later work. Ignoring most his own plays in the memoirs did not help to maintain his reputation as a serious playwright This book rectifies the absence of a serious examination of all of Laurents's major work. This first comprehensive study of Laurents's work focuses on the subjects and themes that recur in his work, particularly the interrelated topics of gender politics, homosexuality and the dynamics of marriage. The position of women and gay men changed greatly over the sixty-plus years of Laurents's career and we see those changes reflected in his work, particularly in the shifting power dynamics within a marriage. Laurents was fascinated by the dynamics of marriage. In his plays there is always a tension between love and thel“+
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