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One of theGlobe & Mail’s 100 Best Books of 2018
A timely collection of work about race and immigration in Paris by one of France's most revered cult comic book artists.
Yvan Alagbé is one of the most innovative and provocative artists in the world of comics. In the stories gathered inYellow Negroes and Other Imaginary Creatures—drawn between 1994 and 2011, and never before available in English—he uses stark, endlessly inventive black-and-white brushwork to explore love and race, oppression and escape. It is both an extraordinary experiment in visual storytelling and an essential, deeply personal political statement.
With unsettling power, the title story depicts the lives of undocumented migrant workers in Paris. Alain, a Beninese immigrant, struggles to protect his family and his white girlfriend, Claire, while engaged in a strange, tragic dance of obsession and repulsion with Mario, a retired French Algerian policeman. It is already a classic of alternative comics, and, like the other stories in this collection, becomes more urgent every day.
This NYRC edition is an oversized paperback with French flaps, printed endpapers, and extra-thick paper, and features new English hand-lettering and a brand-new story, exclusive to this edition. With poetic, elliptical text and stark, impressionistic black-and-white art, French cartoonist Alagbé reveals the toxic legacy of European colonialism upon individuals and families. —Library Journal
A timely collection about race and immigration in Paris by one of France's most revered cult comic book artists. Alagbé uses stark, endlessly inventive black-and-white brushwork to explore love and race, oppression and escape. —Publishers Weekly
One of the most arresting comics works to hit stands in a good long while.” —Abrahaml“'
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